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Myth, Origins, Magic is an examination of Eli Mandel's work, from early poems to the Family Romance.
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The essays and rhetorical imaginings that Moss calls critical fiction challenge convention, subverting the notions of genre we use to distinguish between prose and poetry, ­fiction and exposition, creative writing and critical commentary.
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In this study of Dorothy Livesay’s love poetry, Nadine McInnis focuses on Livesay’s maturing sense of herself as an artist, exploring the sexual/ ­textual conflicts present in much of Livesay’s love poetry and their later ­resolution.
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Reading Canadian Reading meticulously rereads Davey's and others' criticism of Canadian writing and teases out contentious assumptions that shape notions of Canadian culture, literature, and writing.
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The essays have been written against the background of Davey's long and close intellectual engagement with the major critical issues of his day...(and) provide a clear sense of his very substantial contribution to contemporary criticism in Canada.
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A collection of essays, interviews, rants, manifestos, notes and poems. Thirty-one prairie contributors, including David Arnason, Dennis Cooley, Dorothy Livesay, Robert Kroetsch, Patrick Friesen, and Margaret Laurence.
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Personal and provocative, Dennis Cooley’s lucid essays in The Vernacular Muse range from the ­vernacular in Prairie poetry, the poetics of the line break, and the poetry of eye versus ear.
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